APHROCHIC
Explore The Collection
FURNITURE
DECOR
FINE ART
TABLETOP
Details
The Douglass Rosso Levanto Brass Table Lamp has a timeless character. It's an object that feels both architectural and intimate. A sophisticated design, mixing refined geometry with raw stone and shaped metal, its angular marble base anchors the design with quiet strength, while the metallic shade softens the light into a rich, ambient glow. A masterful accent to bring into any room, the Douglass Rosso Levanto Brass Table Lamp, handmade in Egypt, stands as a sculptural statement where the contrasts between stone and metal, shadow and sheen, are brought together in beautiful harmony.
Editors' Note
The Douglass Collection is named in honor of the orator, activist and icon of 19th century America, Frederick Douglass. Inspired by his 1887 visit to Egypt where the 69-year-old activist climbed the Great Pyramid of Khufu at Giza, this collection features artisan pieces crafted from stone and metal natural to the country. Born Frederick Augustus Washington Bailey, a child enslaved on Holme Hill Farm in Talbot county, Maryland, Douglass was raised by his maternal grandmother. Throughout his life he remained unsure of his actual birthdate, placing 1817 as his best estimate. For the day, he chose February 14th, remembering that his mother, Harriet Bailey, liked to call him her little Valentine. Douglass’ education would begin when he was eight, starting with lessons from Sophia Auld. The short-lived lessons, which ended abruptly once Sophia’s husband became aware of them, were enough to spark a lifelong fascination with knowledge. Continuing to learn in secret — as literacy was illegal for people enslaved in Maryland at that time — Douglass would exchange food for lessons with poor white boys in the area. Between 1826 and 1838, he continued to change hands, whether through inheritance or hiring, becoming a skilled craftsman earning a salary for his work at shipyards, and meeting his eventual wife, Anna Murray, a forewoman of color. Douglass made his escape in 1838. Disguised as a sailor, he escaped Maryland via train and steamboat, eventually arriving in New York City. There he met the Black abolitionist, David Ruggles, who helped relocate Douglass and Anna — then married — to New Bedford, Massachusetts. It was there that Frederick chose the last name, “Douglass,” having traveled since his escape under the alias, “Frederick Johnson.” It was also in New Bedford that Douglass would begin his career as an orator, inspired at first by his frequent readings of The Liberator, a newspaper published by abolitionist, William Lloyd Garrison. In 1841, one of his speeches in New Bedford was attended by banker William C. Coffin, who invited him to speak at a convention of the Anti-Slavery Society being held in Nantucket that year. The success of the speech began his work with both the Anti-Slavery and the American Anti-Slavery Societies, and by 1845 he had published the first of his three autobiographies. The second, My Bondage and My Freedom, was published in 1855, while the third, Life and Times of Frederick Douglass was, released in 1881. The North Star, which after an 1851 merger with The Liberty Party Paper, circulated as Frederick Douglass’ Paper, until 1860. He would later found Douglass’ Monthly, which ran from 1859 – 1863, and New National Era, which circulated between 1870 and 1874. An early master of what would later come to be known as branding, Douglass made full use of his popularity and worked strategically to bolster it. This included the iconic hairstyle that he cultivated throughout his life, and his embrace of photography as a means to transform the narrative around Black people, often using his own incredible successes as a model. As a result, he is recorded as the single most photographed American of the 19th century, and among the most photographed in the world for his time.
Shop the
Douglass
Collection
Details
The Douglass Rosso Levanto Glass Floor Lamp stands as a dialogue between raw and refined and a metaphor for the activism and advocacy of its namesake. Inspired by Frederick Douglass' 1887 visit to Egypt, the piece, handcrafted by Egyptian artisans, features a slender glass column arising from a solid piece of natural stone. The design allows light to emerge softly from within, rising through the transparent form like a quiet ascent from ground to glow. The stone base, a Rosso Levanto marble is a deep and luxurious, wine-red color, highlighted by striking veins of white and cream. Illumination rising to fill a space with beautiful natural stone and soft warm light, the Douglass Rosso Levanto Glass Floor Lamp is the perfect finishing touch your room has been waiting for. Make it the latest addition to your story of home.
Editors' Note
The Douglass Collection is named in honor of the orator, activist and icon of 19th century America, Frederick Douglass. Inspired by his 1887 visit to Egypt where the 69-year-old activist climbed the Great Pyramid of Khufu at Giza, this collection features artisan pieces crafted from stone and metal natural to the country. Born Frederick Augustus Washington Bailey, a child enslaved on Holme Hill Farm in Talbot county, Maryland, Douglass was raised by his maternal grandmother. Throughout his life he remained unsure of his actual birthdate, placing 1817 as his best estimate. For the day, he chose February 14th, remembering that his mother, Harriet Bailey, liked to call him her little Valentine. Douglass’ education would begin when he was eight, starting with lessons from Sophia Auld. The short-lived lessons, which ended abruptly once Sophia’s husband became aware of them, were enough to spark a lifelong fascination with knowledge. Continuing to learn in secret — as literacy was illegal for people enslaved in Maryland at that time — Douglass would exchange food for lessons with poor white boys in the area. Between 1826 and 1838, he continued to change hands, whether through inheritance or hiring, becoming a skilled craftsman earning a salary for his work at shipyards, and meeting his eventual wife, Anna Murray, a forewoman of color. Douglass made his escape in 1838. Disguised as a sailor, he escaped Maryland via train and steamboat, eventually arriving in New York City. There he met the Black abolitionist, David Ruggles, who helped relocate Douglass and Anna — then married — to New Bedford, Massachusetts. It was there that Frederick chose the last name, “Douglass,” having traveled since his escape under the alias, “Frederick Johnson.” It was also in New Bedford that Douglass would begin his career as an orator, inspired at first by his frequent readings of The Liberator, a newspaper published by abolitionist, William Lloyd Garrison. In 1841, one of his speeches in New Bedford was attended by banker William C. Coffin, who invited him to speak at a convention of the Anti-Slavery Society being held in Nantucket that year. The success of the speech began his work with both the Anti-Slavery and the American Anti-Slavery Societies, and by 1845 he had published the first of his three autobiographies. The second, My Bondage and My Freedom, was published in 1855, while the third, Life and Times of Frederick Douglass was, released in 1881. The North Star, which after an 1851 merger with The Liberty Party Paper, circulated as Frederick Douglass’ Paper, until 1860. He would later found Douglass’ Monthly, which ran from 1859 – 1863, and New National Era, which circulated between 1870 and 1874. An early master of what would later come to be known as branding, Douglass made full use of his popularity and worked strategically to bolster it. This included the iconic hairstyle that he cultivated throughout his life, and his embrace of photography as a means to transform the narrative around Black people, often using his own incredible successes as a model. As a result, he is recorded as the single most photographed American of the 19th century, and among the most photographed in the world for his time.
Lighting that’s a work of art.
Details
Bringing light from above to every corner of a room, the Douglass Suspended Brass Chandelier is a study in depth and balance. Suspended by a brass chain, its dual brass rings are arranged with the inner ring elevated above the outer, creating a floating effect that gives the chandelier a sense of movement and space. Handcrafted from antique brass, the Douglass Suspended Brass Chandelier casts a warm, welcoming glow, making it an elegant addition to living rooms, dining areas, and bedrooms. Its modern silhouette and layered form bring a touch of sophistication to any setting. A striking centerpiece for your favorite room, The Douglass Suspended Brass Chandelier is the perfect piece to take your decor to the next level.
Editors' Note
The Douglass Collection is named in honor of the orator, activist and icon of 19th century America, Frederick Douglass. Inspired by his 1887 visit to Egypt where the 69-year-old activist climbed the Great Pyramid of Khufu at Giza, this collection features artisan pieces crafted from stone and metal natural to the country. Born Frederick Augustus Washington Bailey, a child enslaved on Holme Hill Farm in Talbot county, Maryland, Douglass was raised by his maternal grandmother. Throughout his life he remained unsure of his actual birthdate, placing 1817 as his best estimate. For the day, he chose February 14th, remembering that his mother, Harriet Bailey, liked to call him her little Valentine. Douglass’ education would begin when he was eight, starting with lessons from Sophia Auld. The short-lived lessons, which ended abruptly once Sophia’s husband became aware of them, were enough to spark a lifelong fascination with knowledge. Continuing to learn in secret — as literacy was illegal for people enslaved in Maryland at that time — Douglass would exchange food for lessons with poor white boys in the area. Between 1826 and 1838, he continued to change hands, whether through inheritance or hiring, becoming a skilled craftsman earning a salary for his work at shipyards, and meeting his eventual wife, Anna Murray, a forewoman of color. Douglass made his escape in 1838. Disguised as a sailor, he escaped Maryland via train and steamboat, eventually arriving in New York City. There he met the Black abolitionist, David Ruggles, who helped relocate Douglass and Anna — then married — to New Bedford, Massachusetts. It was there that Frederick chose the last name, “Douglass,” having traveled since his escape under the alias, “Frederick Johnson.” It was also in New Bedford that Douglass would begin his career as an orator, inspired at first by his frequent readings of The Liberator, a newspaper published by abolitionist, William Lloyd Garrison. In 1841, one of his speeches in New Bedford was attended by banker William C. Coffin, who invited him to speak at a convention of the Anti-Slavery Society being held in Nantucket that year. The success of the speech began his work with both the Anti-Slavery and the American Anti-Slavery Societies, and by 1845 he had published the first of his three autobiographies. The second, My Bondage and My Freedom, was published in 1855, while the third, Life and Times of Frederick Douglass was, released in 1881. The North Star, which after an 1851 merger with The Liberty Party Paper, circulated as Frederick Douglass’ Paper, until 1860. He would later found Douglass’ Monthly, which ran from 1859 – 1863, and New National Era, which circulated between 1870 and 1874. An early master of what would later come to be known as branding, Douglass made full use of his popularity and worked strategically to bolster it. This included the iconic hairstyle that he cultivated throughout his life, and his embrace of photography as a means to transform the narrative around Black people, often using his own incredible successes as a model. As a result, he is recorded as the single most photographed American of the 19th century, and among the most photographed in the world for his time.
New Arrivals
Details
True beauty is found in simplicity. The Douglass Brass Wall Sconce embodies that philosophy with its clean, geometric design. The understated, yet eye-catching, brass square base extends vertically, creating a structured play of light and shadow. Its sharp lines bring a modern edge, making it a strong addition to any space. Designed for hallways, corners, and bedrooms, The Douglass Brass Wall Sconce, handcrafted by Egyptian artisans, stands out without overwhelming, adding character through its solid shape and warm glow.
Editors' Note
The Douglass Collection is named in honor of the orator, activist and icon of 19th century America, Frederick Douglass. Inspired by his 1887 visit to Egypt where the 69-year-old activist climbed the Great Pyramid of Khufu at Giza, this collection features artisan pieces crafted from stone and metal natural to the country. Born Frederick Augustus Washington Bailey, a child enslaved on Holme Hill Farm in Talbot county, Maryland, Douglass was raised by his maternal grandmother. Throughout his life he remained unsure of his actual birthdate, placing 1817 as his best estimate. For the day, he chose February 14th, remembering that his mother, Harriet Bailey, liked to call him her little Valentine. Douglass’ education would begin when he was eight, starting with lessons from Sophia Auld. The short-lived lessons, which ended abruptly once Sophia’s husband became aware of them, were enough to spark a lifelong fascination with knowledge. Continuing to learn in secret — as literacy was illegal for people enslaved in Maryland at that time — Douglass would exchange food for lessons with poor white boys in the area. Between 1826 and 1838, he continued to change hands, whether through inheritance or hiring, becoming a skilled craftsman earning a salary for his work at shipyards, and meeting his eventual wife, Anna Murray, a forewoman of color. Douglass made his escape in 1838. Disguised as a sailor, he escaped Maryland via train and steamboat, eventually arriving in New York City. There he met the Black abolitionist, David Ruggles, who helped relocate Douglass and Anna — then married — to New Bedford, Massachusetts. It was there that Frederick chose the last name, “Douglass,” having traveled since his escape under the alias, “Frederick Johnson.” It was also in New Bedford that Douglass would begin his career as an orator, inspired at first by his frequent readings of The Liberator, a newspaper published by abolitionist, William Lloyd Garrison. In 1841, one of his speeches in New Bedford was attended by banker William C. Coffin, who invited him to speak at a convention of the Anti-Slavery Society being held in Nantucket that year. The success of the speech began his work with both the Anti-Slavery and the American Anti-Slavery Societies, and by 1845 he had published the first of his three autobiographies. The second, My Bondage and My Freedom, was published in 1855, while the third, Life and Times of Frederick Douglass was, released in 1881. The North Star, which after an 1851 merger with The Liberty Party Paper, circulated as Frederick Douglass’ Paper, until 1860. He would later found Douglass’ Monthly, which ran from 1859 – 1863, and New National Era, which circulated between 1870 and 1874. An early master of what would later come to be known as branding, Douglass made full use of his popularity and worked strategically to bolster it. This included the iconic hairstyle that he cultivated throughout his life, and his embrace of photography as a means to transform the narrative around Black people, often using his own incredible successes as a model. As a result, he is recorded as the single most photographed American of the 19th century, and among the most photographed in the world for his time.
Details
The Glyph Ebony Pillow brings the ancient past and the present day together beautifully, adding new layers to the aesthetic of your home. Sustainably woven and printed, featuring a luxe duck feather insert, it’s body-hugging comfort is exactly what you need at the end of a long day or the start of a lazy one. Finished with sophisticated touches like its colorful piping and a custom gold zipper, it’s a magazine-worthy addition to any room. Its fun, eye-catching pattern, connecting modern Hip-Hop culture to the sacred script of ancient Egypt, is a cultural and aesthetic statement like no other. Pairing a luxurious, ebony background with a warm earth tone design in soft cotton-linen or sumptuous velvet, the Glyph Ebony Pillow is the perfect finishing touch for your favorite room. Available in cotton-linen, soft velvet, or in our outdoor eco weave fabric.
Editors' Note
The Glyph Collection draws parallels between the culture and symbolism of ancient Egypt and the iconography of modern Hip-Hop culture. Presenting meaningful totems of Hip-Hop — the microphone, the boombox, and the emcee — in the style of engraved hieroglyphs, the collection celebrates the many levels of meaning found in Hip-Hop —it’s lyrics, beats and dance — imagining the use of images of its common objects to convey those levels, from the mundane to the esoteric, just as the ancient Egyptians did. Hieroglyphics — the unmistakable writings of ancient Egypt — are one of a handful of writing systems in the world thought by scholars to have emerged entirely without outside influence. As such, they represent a wholly and uniquely Egyptian worldview. Consisting of pictographic logograms (characters depicting objects or concepts), phonograms (characters depicting sounds), determinatives (characters that clarify the meanings of other characters), and numericals (characters depicting numbers) this complex system of writing was known to include anywhere from 7-800 words for much of the Middle and New Kingdom periods, to as many as 8,000 words during the Ptolemaic period. The term hieroglyphic is not Egyptian, but derived from the Greek hieroglyphikos, meaning “sacred writing,” or more specifically, “sacred carving,” with hieros having the meaning of “sacred” and glyphein meaning “to carve”. Similarly, however, Egyptians referred to their writing system as Mdju Netjer, literally the, “Words of the gods,” reflecting the belief that writing was created and given to humanity by Thoth, the ibis-headed god of wisdom, science and magic. Constructed around 24 base phonograms, all representing consonants, Mdju Netjer, like Hebrew and Arabic, did not include written vowels in its script, preferring to use determinants to distinguish between words that might otherwise have been confused. Further, Egyptian script was extremely flexible in terms of writing direction, being able to be read left-to-right, right-to-left, top-to-bottom, or bottom-to-top. Usually carved into the stone facades of important buildings and statues, Egyptian hieroglyphics spawned cursive forms for everyday use, first Hieratic and later Demotic, that were written in ink. Despite their longevity, having been in continual use for more than 3,000 years, hieroglyphs eventually faded from use, their meanings lost to history until the 1799 discovery of the Rosetta Stone by French army officer, Pierre-François Bouchard, and its eventual translation, completed in the 1820s by French scholar, Jean-François Champollion.
Details
In Distant Clouds, a woman stands atop a rocky foundation, shining in a golden gown as paper birds fly above her. Photographer Fares Micue beautifully describes the piece: “Dress yourself in the color of happiness, energy and power. Take out of your mind those intrusive thoughts, the ones that are keeping you anchored to past, the feelings of defeat, the degrading words and the feeling of not feeling enough. One by one make them go away, far from you until they become nothing but distant clouds lost in the blue sky.” This limited edition piece by Micue is printed on high-quality archival paper, with custom framing options available. A Certificate of Authenticity signed by the artist is included.
Editors' Note
Spanish fine art photographer Fares Micue's surreal photographs literally transport the viewer to new worlds. Fares is part of AphroChic's Artists & Artisans Program, where the brand collaborates with emerging Black artists, artisans, and designers from across the globe, working in partnership with them to bring unique concepts to life, and introducing them to the luxury brand market in the United States. While much of her work is created in the Canary Islands, this exclusive collection of photographs was created as part of Fares' annual sojourn to Korea, where she feels deeply inspired and connected to the country's natural landscapes. Fares Micue is featured in Issue No. 12 of AphroChic magazine.
Details
Dramatic curves and a statement handle draw all attention to the Magdalene Black Terracotta Jug. This handmade terracotta pitcher evokes a sense of ancient beauty and modern simplicity. Use it to display stems, highlight your favorite floral arrangement, or as a moment all on its own.
Editors' Note
This piece is named in honor of the stunning work of Kenyan-born ceramicist Magdalene Odundo. Born in Nairobi and educated in Kenya, India, Nigeria, England and Mexico, Odundo is best known for her reduction-fired pieces — a process which causes the clay to turn a deep, sumptuous black. Frequently sculpted to mimic or evoke aspects of the human form, such as the neck, spine, hair or stomach, Odundo’s work is often cited as an exploration of the female experience of the body, with some pieces tracing the outlines of the body during pregnancy. As accomplished a teacher as she is an artist, Odunde enjoyed teaching posts at several institutions before becoming professor emerita at the University for the Creative Arts in England. Her career has garnered an assortment of awards, honorary doctorates, and appointments, including a 2020 lifetime achievement award and the title of “Dame Commander” from the British monarchy.
Chris Glass has been living around the world for nearly twenty years. He takes inside his stunning 1200-square-foot, 2-bedroom apartment in Berlin, that he has worked extensively to turn into a reflection of his global lifestyle and tastes.Chris Glass’ Chic Retreat In Berlin
More Inspiration
SOUNDS | Nathalie Joachim Gives Voice: In her Grammy-nominated solo debut, Fanm d’Ayiti, Nathalie Joachim’s crisp vocals pair beautifully with her stunning arrangements of flutes, strings, and electronics to seamlessly blend the weight of history with a rising sense of wonder and joy.
INTERIOR DESIGN | Inside Rayman Boozer's Colorful Tribeca Home: With clients ranging from major companies to individual residences, the firm provides Rayman ample opportunity to be creative with interiors. Here, the sought-after designer takes us inside his gorgeous Manhattan home.
TRAVEL | Tobago In Color: With lush rainforests, towering mountains and endless beaches, it is beautiful in a way rivaled only by those few places equally fortunate to be located somewhere in the Caribbean Sea.
FOOD | Cooking With Culture: With the release of The Contemporary African Kitchen, Alexander Smalls continues his legacy of storytelling, celebrating the rich culinary traditions of the African Diaspora.
APHROCHIC MAGAZINE
Our quarterly love letter to the people and cultures of the African Diaspora. Check out the free digital magazine, order a hard copy for your collection, and become a subscriber.