APHROCHIC

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Josephine Teak Chevron Sofa
from $10,200.00

Details

Inspired by the Art Deco style and Jazz era grace of Paris in the 1930s and 40s, the Josephine Teak Chevron Sofa is a touch of elegance in any room. With lines designed to evoke the continuous flow of water and the softness of natural movement, the rich, multi-weave upholstery embraces the body, inviting stillness through comfort. Its fluid, rounded lines and geometric design make this piece an eye-catcher that will define and enhance the decor of any space while providing next-level leisure. Available at 6 feet (72"), 7 feet (84") and 8 feet (96"), the Josephine Teak Chevron Sofa is the perfect centerpiece for your living room.

Editors' Note

Born Freda Josephine McDonald in 1906, Josephine Baker hailed from St. Louis, Missouri. At 15 she was discovered by a St. Louis vaudeville group and touring with the group eventually landed her the show Shufflin’ Along, taking her to New York just as the Harlem Renaissance was reaching its height. Josephine was discovered again, this time by American socialite Caroline Dudley for an all-Black vaudeville show in Paris — La Revue Nègre. Dubbed “the Black Venus,” by the French press, Josephine’s image inspired filmmakers who cast her in films including her 1927 silent film screen debut, Siren of the Tropics. In 1937, Josephine became an official French citizen, and by the end of the Second World War in 1945, the performer — who was was fluent in French, Italian and Russian — was the hero of her adopted nation, using her celebrity status to obtain information while performing behind enemy lines and passing information encoded onto sheet music with invisible ink. She would became a lieutenant in the Free French Air Force and would go on to crusade for equality in the US in the early years of the Civil Rights Movement. Josephine secured lodgings for herself and her entire band, dictating terms in her contract for integrated audiences, she battled publicly with the Ku Klux Klan, and in 1963 was the only woman to address the crowd at the March on Washington. After Martin Luther King Jr’s assassination in 1968, Coretta Scott King would approach her to consider assuming leadership of the Civil Rights Movement. Baker, who had adopted 12 children over the course of her life, refused, citing concerns for her children should she be killed. Baker passed away in 1975 at the age of 68. “I have never really been a great artist,” she told Ebony magazine earlier that year. “But I have loved and believed in art and the idea of universal brotherhood so much, that I have put everything I have into them, and I have been blessed.”

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Josephine
Collection

Josephine Nougat Weave Lounge Chair
$3,800.00

Details

Inspired by the Art Deco style and Jazz era grace of Paris in the 1930s and 40s, the Josephine Nougat Weave Lounge Chair is a touch of elegance in any room. With lines designed to evoke the continuous flow of water and the softness of natural movement, the warm beige woven decorative weave, made from recycled material, embraces the body, inviting stillness through comfort. Its fluid, rounded lines, make this piece an eye-catcher that will define and enhance the decor of any space while providing next-level leisure. Pair this lounge chair with other pieces from the Josephine Collection for a perfect look.

Editors' Note

Born Freda Josephine McDonald in 1906, Josephine Baker hailed from St. Louis, Missouri. At 15 she was discovered by a St. Louis vaudeville group and touring with the group eventually landed her the show Shufflin’ Along, taking her to New York just as the Harlem Renaissance was reaching its height. Josephine was discovered again, this time by American socialite Caroline Dudley for an all-Black vaudeville show in Paris — La Revue Nègre. Dubbed “the Black Venus,” by the French press, Josephine’s image inspired filmmakers who cast her in films including her 1927 silent film screen debut, Siren of the Tropics. In 1937, Josephine became an official French citizen, and by the end of the Second World War in 1945, the performer — who was was fluent in French, Italian and Russian — was the hero of her adopted nation, using her celebrity status to obtain information while performing behind enemy lines and passing information encoded onto sheet music with invisible ink. She would became a lieutenant in the Free French Air Force and would go on to crusade for equality in the US in the early years of the Civil Rights Movement. Josephine secured lodgings for herself and her entire band, dictating terms in her contract for integrated audiences, she battled publicly with the Ku Klux Klan, and in 1963 was the only woman to address the crowd at the March on Washington. After Martin Luther King Jr’s assassination in 1968, Coretta Scott King would approach her to consider assuming leadership of the Civil Rights Movement. Baker, who had adopted 12 children over the course of her life, refused, citing concerns for her children should she be killed. Baker passed away in 1975 at the age of 68. “I have never really been a great artist,” she told Ebony magazine earlier that year. “But I have loved and believed in art and the idea of universal brotherhood so much, that I have put everything I have into them, and I have been blessed.”

Iconic seating designed to make a statement.

Josephine Pebble Tweed Corner Sectional
$24,000.00

Details

The main ingredients of luxury are comfort and space, and with the Josephine Pebble Tweed Corner Sectional, you can have it all. Inspired by the Art Deco style and Jazz era grace of Paris in the 1930s and 40s, the rich, brown-toned tweed upholstery embraces the body, inviting stillness through comfort. Its expansive, wrap-around frame offers ample seating for multiple guests or room to stretch out all on your own. Designed to facilitate coziness, conversation and long stretches of relaxation, the Josephine Pebble Tweed Corner Sectional is a perfect reminder that great seating makes great rooms. Pair this sectional with other pieces from the Josephine Collection for a perfect look.

Editors' Note

Born Freda Josephine McDonald in 1906, Josephine Baker hailed from St. Louis, Missouri. At 15 she was discovered by a St. Louis vaudeville group and touring with the group eventually landed her the show Shufflin’ Along, taking her to New York just as the Harlem Renaissance was reaching its height. Josephine was discovered again, this time by American socialite Caroline Dudley for an all-Black vaudeville show in Paris — La Revue Nègre. Dubbed “the Black Venus,” by the French press, Josephine’s image inspired filmmakers who cast her in films including her 1927 silent film screen debut, Siren of the Tropics. In 1937, Josephine became an official French citizen, and by the end of the Second World War in 1945, the performer — who was was fluent in French, Italian and Russian — was the hero of her adopted nation, using her celebrity status to obtain information while performing behind enemy lines and passing information encoded onto sheet music with invisible ink. She would became a lieutenant in the Free French Air Force and would go on to crusade for equality in the US in the early years of the Civil Rights Movement. Josephine secured lodgings for herself and her entire band, dictating terms in her contract for integrated audiences, she battled publicly with the Ku Klux Klan, and in 1963 was the only woman to address the crowd at the March on Washington. After Martin Luther King Jr’s assassination in 1968, Coretta Scott King would approach her to consider assuming leadership of the Civil Rights Movement. Baker, who had adopted 12 children over the course of her life, refused, citing concerns for her children should she be killed. Baker passed away in 1975 at the age of 68. “I have never really been a great artist,” she told Ebony magazine earlier that year. “But I have loved and believed in art and the idea of universal brotherhood so much, that I have put everything I have into them, and I have been blessed.”

New Arrivals

Josephine Chalk Velvet Dining Chair
$3,100.00

Details

The Josephine Chalk Velvet Dining Chair is a touch of Paris-inspired elegance designed to create the perfect dining experience. Drawing on the Art Deco style and Jazz era grace of the 1930s and 40s, the soft organic velvet upholstery embraces the body, inviting stillness through comfort. Its fluid, rounded lines, evoking the continuous flow of water and the softness of natural movement, make this piece an eye-catcher that will define and enhance the decor of any space while providing next-level leisure. Pair this dining chair with other pieces from the Josephine Collection for a perfect look.

Editors' Note

Born Freda Josephine McDonald in 1906, Josephine Baker hailed from St. Louis, Missouri. At 15 she was discovered by a St. Louis vaudeville group and touring with the group eventually landed her the show Shufflin’ Along, taking her to New York just as the Harlem Renaissance was reaching its height. Josephine was discovered again, this time by American socialite Caroline Dudley for an all-Black vaudeville show in Paris — La Revue Nègre. Dubbed “the Black Venus,” by the French press, Josephine’s image inspired filmmakers who cast her in films including her 1927 silent film screen debut, Siren of the Tropics. In 1937, Josephine became an official French citizen, and by the end of the Second World War in 1945, the performer — who was was fluent in French, Italian and Russian — was the hero of her adopted nation, using her celebrity status to obtain information while performing behind enemy lines and passing information encoded onto sheet music with invisible ink. She would became a lieutenant in the Free French Air Force and would go on to crusade for equality in the US in the early years of the Civil Rights Movement. Josephine secured lodgings for herself and her entire band, dictating terms in her contract for integrated audiences, she battled publicly with the Ku Klux Klan, and in 1963 was the only woman to address the crowd at the March on Washington. After Martin Luther King Jr’s assassination in 1968, Coretta Scott King would approach her to consider assuming leadership of the Civil Rights Movement. Baker, who had adopted 12 children over the course of her life, refused, citing concerns for her children should she be killed. Baker passed away in 1975 at the age of 68. “I have never really been a great artist,” she told Ebony magazine earlier that year. “But I have loved and believed in art and the idea of universal brotherhood so much, that I have put everything I have into them, and I have been blessed.”

Glyph Ebony Oat Pillow
from $308.00

Details

The Glyph Ebony Oat Pillow brings the ancient past and the present day together beautifully, adding new layers to the aesthetic of your home. Sustainably woven and printed, featuring a luxe duck feather insert, it’s body-hugging comfort is exactly what you need at the end of a long day or the start of a lazy one. Finished with sophisticated touches like its colorful piping and a custom gold zipper, it’s a magazine-worthy addition to any room. Its fun, eye-catching pattern, connecting modern Hip-Hop culture to the sacred script of ancient Egypt, is a cultural and aesthetic statement like no other. Pairing a luxurious, ebony background with a warm earth tone design in soft cotton-linen or sumptuous velvet, the Glyph Ebony Oat Pillow is the perfect finishing touch for your favorite room. Available in cotton-linen, soft velvet, or in our outdoor eco weave fabric.

Editors' Note

The Glyph Collection draws parallels between the culture and symbolism of ancient Egypt and the iconography of modern Hip-Hop culture. Presenting meaningful totems of Hip-Hop — the microphone, the boombox, and the emcee — in the style of engraved hieroglyphs, the collection celebrates the many levels of meaning found in Hip-Hop —  it’s lyrics, beats and dance — imagining the use of images of its common objects to convey those levels, from the mundane to the esoteric, just as the ancient Egyptians did. Hieroglyphics — the unmistakable writings of ancient Egypt — are one of a handful of writing systems in the world thought by scholars to have emerged entirely without outside influence. As such, they represent a wholly and uniquely Egyptian worldview. Consisting of pictographic logograms (characters depicting objects or concepts), phonograms (characters depicting sounds), determinatives (characters that clarify the meanings of other characters), and numericals (characters depicting numbers) this complex system of writing was known to include anywhere from 7-800 words for much of the Middle and New Kingdom periods, to as many as 8,000 words during the Ptolemaic period. The term hieroglyphic is not Egyptian, but derived from the Greek hieroglyphikos, meaning “sacred writing,” or more specifically, “sacred carving,” with hieros having the meaning of “sacred” and glyphein meaning “to carve”. Similarly, however, Egyptians referred to their writing system as Mdju Netjer, literally the, “Words of the gods,” reflecting the belief that writing was created and given to humanity by Thoth, the ibis-headed god of wisdom, science and magic. Constructed around 24 base phonograms, all representing consonants, Mdju Netjer, like Hebrew and Arabic, did not include written vowels in its script, preferring to use determinants to distinguish between words that might otherwise have been confused. Further, Egyptian script was extremely flexible in terms of writing direction, being able to be read left-to-right, right-to-left, top-to-bottom, or bottom-to-top. Usually carved into the stone facades of important buildings and statues, Egyptian hieroglyphics spawned cursive forms for everyday use, first Hieratic and later Demotic, that were written in ink. Despite their longevity, having been in continual use for more than 3,000 years, hieroglyphs eventually faded from use, their meanings lost to history until the 1799 discovery of the Rosetta Stone by French army officer, Pierre-François Bouchard, and its eventual translation, completed in the 1820s by French scholar, Jean-François Champollion. 

Wildflowers Pink And Orange Wool Moroccan Rug
from $45.00

Details

Our Wildflowers Pink And Orange Wool Moroccan Rug is custom-made for you by exceptional artisans of the Beni Mrirt Tribe of Morocco. Handwoven using a luxurious blend of premium New Zealand wool and high-quality Moroccan wool, this innovatively refined combination offers unparalleled brilliance, superior softness, and lasting durability. A unique masterpiece for your interior, this rug is woven knot by knot, then bathed and air-dried under the serene Moroccan skies. Part of our Sojourner Rug Collection, each piece beautifully charts her journey to liberation.

Editors' Note

Our Sojourner Rug Collection is named for the powerful orator, activist and American hero, Sojourner Truth. Born into slavery as Isabella Baumfree (also, Bomfree or Bomefree) in 1797, on the Ulster County, New York plantation of the “Low Dutch” Ardinburgh family, Truth was part of a large community of enslaved people that had existed in New York since the early 1600s. Beginning first with the Dutch, and later the English as New Amsterdam made its 1664 transition into modern-day New York, slavery grew in the region until by Truth’s time, New York had the second largest enslaved population among the 13 colonies, trailing only South Carolina. Between 1806, when a 9 year-old Isabella was sold to a cruel and abusive Englishman, John Neely in Kingston, New York, and 1826 when she fled from bondage, Truth was sold no less than 3 times, married, and bore 5 children — one, her daughter Diana — the result of an assault by her final enslaver, John Dumont. In 1826, when Dumont reneged on a promise to free Isabella the year before the scheduled 1827 abolition of slavery in the state, she took her youngest daughter, Sophia, then only 3-months old, and escaped to the home of Isaac and Maria Van Wagenen in New Paltz.  The Van Wagenens did not believe in slavery, but paid Dumont for her services for the year to ensure her safety. While there, after a lifetime of religious instruction and harrowing experiences, Isabella had a spiritual awakening that led her to become a preacher, and then — 17 years later — to rechristen herself as Sojourner Truth in 1843. Also, in 1828, Truth sued successfully for the return of her son, Peter, whom Dumont had illegally sold into slavery in Alabama. Called by the Spirit to speak the truth, Sojourner began to live as an itinerant preacher, traveling to speak and living with progressive communities such as the Northampton Association of Education and the Progressive Friends. Through these societies she came into contact with many leading abolitionists and suffragists, including William Lloyd Garrison, Lucretia Mott and Frederick Douglass. Known for her sonorous singing voice and the  passion of her sermons, Truth became a sought-after speaker for both abolitionist and suffragist stages and a formidable proponent for both causes — particularly after the 1850 release of her autobiography, which was published by Garrison. The 1850s saw some of the highest points of Truth’s career as an orator, including her 1853 speech, What Time of Night It Is, delivered at a New York State meeting of the Women’s Rights Convention and her most quoted and remembered speech, the 1854 magnum opus, Ain’t I a Woman, given in Akron, Ohio for the Ohio Woman's Rights Convention. Tended to by two of her daughters, she passed away on November 26, 1883. In Washington D.C., Frederick Douglass dedicated a eulogy to her, encapsulating the meaning of her life and work in words that resonate equally today.  “Venerable for age,” he said, “distinguished for insight into human nature, remarkable for independence and courageous self-assertion, devoted to the welfare of her race, she has been for the last forty years an object of respect and admiration to social reformers everywhere."

Douglass Suspended Brass Chandelier
$2,780.00

Details

Bringing light from above to every corner of a room, the Douglass Suspended Brass Chandelier is a study in depth and balance. Suspended by a brass chain, its dual brass rings are arranged with the inner ring elevated above the outer, creating a floating effect that gives the chandelier a sense of movement and space. Handcrafted from antique brass, the Douglass Suspended Brass Chandelier casts a warm, welcoming glow, making it an elegant addition to living rooms, dining areas, and bedrooms. Its modern silhouette and layered form bring a touch of sophistication to any setting. A striking centerpiece for your favorite room, The Douglass Suspended Brass Chandelier is the perfect piece to take your decor to the next level.

Editors' Note

The Douglass Collection is named in honor of the orator, activist and icon of 19th century America, Frederick Douglass. Inspired by his 1887 visit to Egypt where the 69-year-old activist climbed the Great Pyramid of Khufu at Giza, this collection features artisan pieces crafted from stone and metal natural to the country. Born Frederick Augustus Washington Bailey, a child enslaved on Holme Hill Farm in Talbot county, Maryland, Douglass was raised by his maternal grandmother. Throughout his life he remained unsure of his actual birthdate, placing 1817 as his best estimate. For the day, he chose February 14th, remembering that his mother, Harriet Bailey, liked to call him her little Valentine. Douglass’ education would begin when he was eight, starting with lessons from Sophia Auld. The short-lived lessons, which ended abruptly once Sophia’s husband became aware of them, were enough to spark a lifelong fascination with knowledge. Continuing to learn in secret — as literacy was illegal for people enslaved in Maryland at that time — Douglass would exchange food for lessons with poor white boys in the area. Between 1826 and 1838, he continued to change hands, whether through inheritance or hiring, becoming a skilled craftsman earning a salary for his work at shipyards, and meeting his eventual wife, Anna Murray, a forewoman of color. Douglass made his escape in 1838. Disguised as a sailor, he escaped Maryland via train and steamboat, eventually arriving in New York City. There he met the Black abolitionist, David Ruggles, who helped relocate Douglass and Anna — then married — to New Bedford, Massachusetts. It was there that Frederick chose the last name, “Douglass,” having traveled since his escape under the alias, “Frederick Johnson.” It was also in New Bedford that Douglass would begin his career as an orator, inspired at first by his frequent readings of The Liberator, a newspaper published by abolitionist, William Lloyd Garrison. In 1841, one of his speeches in New Bedford was attended by banker William C. Coffin, who invited him to speak at a convention of the Anti-Slavery Society being held in Nantucket that year. The success of the speech began his work with both the Anti-Slavery and the American Anti-Slavery Societies, and by 1845 he had published the first of his three autobiographies. The second, My Bondage and My Freedom, was published in 1855, while the third, Life and Times of Frederick Douglass was, released in 1881. The North Star, which after an 1851 merger with The Liberty Party Paper, circulated as Frederick Douglass’ Paper, until 1860. He would later found Douglass’ Monthly, which ran from 1859 – 1863, and New National Era, which circulated between 1870 and 1874. An early master of what would later come to be known as branding, Douglass made full use of his popularity and worked strategically to bolster it. This included the iconic hairstyle that he cultivated throughout his life, and his embrace of photography as a means to transform the narrative around Black people, often using his own incredible successes as a model. As a result, he is recorded as the single most photographed American of the 19th century, and among the most photographed in the world for his time.

British born Sudanese artist, Huda Hashim, is an interior designer, 3D rendering and contemporary artist best known for her abstract works depicting life in Sudan.

The Global Interior Of Huda Hashim

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